Essay, ‘After Sinofuturism’ (with Dr Steve Goodman & Dr Anna Greenspan), in the book ‘Machine Decision Is Not Final: China and the History and Future of AI’, Published by MIT Press. (Upcoming 2022)

SFRA Review - Special Issue on Alternative Sinofuturisms, Science Fiction Research Association (SFRA), Ed. Virginia Conn, vol. 50, no. 2-3 (Spring-Summer 2020)

Essay, ‘Documents of Contemporary Art: Science Fiction’, Ed. Dan Byrne-Smith, Published by Whitechapel Gallery / MIT Press (2019)

Interviews / Press

Interview, LIFE Magazine China (in Chinese) (2022)

Financial Times, ‘The futuristic visions of multimedia artist Lawrence Lek’ (2021)

Exhibition and Discussion at ‘The New Normal’, Ullens Center for Contemporary Art, Beijing, China, (2017)


Presentation at KI-Camp, a conference for AI sponsored by the German Federal Ministry of Education and Research, German Informatics Society, Berlin (2021)

Screening at EU-Funded Conference on Existential Risk, NEEDS 2020, the fifth edition of the Northern European Conference on Emergency and Disaster Studies, hosted by Mid Sweden University and organized by the Risk and Crisis Research Centre, Östersund, Sweden (March 2020)

Presentation on Technology and Art, Zurich HdK Zurich, Switzerland, 2021

Talk ‘Sinofuturism: A Conspiracy?’, NYU Shanghai, 2017

Presentation at Visual Arts Centre of Clarington and Centre A: Vancouver International Centre for Contemporary Asian Art, June 2020


Exhibition at ‘The Sea is Glowing’, Rijeka City of Culture themed around the New Silk Road (April-October 2020)

Exhibition at ‘Holen und Bringen (Hold and Bring)’, Werkleitz Festival themed around logistics, Halle, Germany, 2018.

Participant, Singapore Biennale 2019, exhibition of open-world game at Asian Civilisations Museum

Exhibition, 2019 Shenzhen New Media Art Festival

‘Sinofuturism (1839-2046)’ Video acquired and presented at Princeton University Art Museum, 2020

Grand Prix Award Winner, VH Award for new media artists sponsored by Hyundai Motor Corporation.